Questions to Ask a City

From, Cybermoholla Ensemble & Nicholas Hirsch / Michael Müller, eds, ‘Cybermoholla Hub’, Sternberg Press, NYC, 2012

How do things enter and leave, how are they built and how do they decay?
What is modifiable?
How can things be attached on to one another?
Where does idea become infrastructure?
What arranges speeds?
How does the city feel to a rat, a human, a bank?
What is inside and what is outside?
How many gradations of waste are there?
Does sweat taste different according to the work that produced it?
What has an address?

Are there any certified means to bring about what is longed for but unspoken?
If from the top of the tallest tower can be seen just a little further over the horizon, how much more sunset?
How perfect are the corners of rooms?
Where is the deepest most profound insomnia to be had?
How is it possible to evaporate?
Which came first, sewage or drinking water?
What is the most thoughtful species to eat?
What must be smuggled?
If the ratio of cockroaches to butterflies is to be improved, must slugs work harder?

To those in the city who are numb with exhaustion beyond bearing, have you tried special tablets?
Do you, as a city, objectify the most sophisticated knowledge in a physical landscape of extraordinary complexity, power, and splendour at the same time as you bring together social forces capable of the most amazing sociotechnical and political innovation?
Of the names of the city, which are curses?
Are there any observances to be made when moving in or out of a place?
Which words, without intermediary, can be directly exchanged for food?
Who composites disinterest?
What is after all the intersections?
Who eats what is left?

What is a given for what?
Is there a difference between the markers of strangeness and those of familiarity?
How many doors do you need to make a floor?
If a photograph is taken, how much darkness can it reveal?
Which buildings design themselves?
Is there one code to translate all others without itself being breakable?
Who is safe?

When does a palace become a cupboard?
Who are the connoisseurs of the chaos?
How many rooms are inhabited only by investments?
Is what it looks like the same as what it does?
Which edges are conduits?
Who respects the delicacy of letterboxes?

Where is the tongue at home?
Is there an office for the air between walls?
What grows?
What songs are sung by those who cannot else withstand their work?
What is first to collapse?

Does the architecture of sleep have a school?
What shriek of joy is that?
Is it reasonable to assume that all documents are forged?
What builds up?

What is found by accident?
What jumps scales?
Does the idea of home require medicine?

Who files the complaints?
Can you wash your face with a building?

At what degree of heterogeneity does the idea of a whole come about?